Before 1977, in France, he was distinguished by a sound 'pointillisme': a marked harmonic sensitivity, with which he organized imaginative
Kaynak: Kyriakos Sfetsas

(Stockhausen 1998, 451) In fact, as early as 1922 the French word pointillisme, evoking Seurat's painting technique, had been applied to
Kaynak: Punctualism